“Style is to forget all styles.”

 Jules Renard

Watson has been working as a professional writer since 2020. She has written interviews for Intermission Magazine and CBC, and works with a number of Canadian screenwriters as a developmental editor on an ongoing basis.

Her work in published under the name “Jessica Watson.”

To train, or not to train: exploring Stratford’s Birmingham Conservatory
Intermission Magazine Jessica Watson Intermission Magazine Jessica Watson

To train, or not to train: exploring Stratford’s Birmingham Conservatory

It’s hard to find anyone living in Canada who hasn’t at least heard of the Stratford Festival. As the largest classical repertory theatre in North America, the internationally recognized festival offers more than a dozen shows every year across four venues. But incredible staged Shakespeare productions aren’t the only artistic opportunities the festival offers. For more than twenty years, artists across the country have looked to the Birmingham Conservatory, Stratford’s artist incubator, for opportunities to develop their craft and refine their classical technique. But despite more than two decades spent training early and mid-career artists, the conservatory remains under the radar of many theatre-makers and audience-members…

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